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Ron Lamberson
Author
Heavy Metal Moon
Garton Prog wants to start a band. Problem is, he’s the sole human survivor of an Earth mission landed on a planet in the nearest star system, Alpha Centauri. His options for bandmates are all aliens and not aficionados of rock and roll. Just as he scrapes together a handful of willing partners, and sets his sights on a battle of the bands contest, he learns of a compelling rumor which threatens to disrupt his rock star dream. It's an interstellar collision of Guardians of the Galaxy and Saving Private Ryan, with a soundtrack by AC/DC.
Reviews
Lamberson (A Grave Invitation) creates a funny, profane, occasionally disgusting, ultimately humane SF adventure that takes fish-out-of-water tropes and turns them into an epic rock-and-roll rescue story where almost everything goes wrong. Youngish protagonist Garton Prog is regarded as the sole remaining human left alive after a mission from Earth to Alpha Centauri. Coddled by his adopted family after his own parents died, Prog indulges in rock star fantasies amid a variety of alien races mostly uninterested in Earth music.

Undaunted, he assembles a makeshift band (and chosen family) for potential gigs. Then he hears a life-changing rumor: another human, on a moon that's a lawless den of vice, being held captive by a brutal criminal who has sinister motives. That spurs a highly unlikely, amusingly ludicrous, and frequently lethal chain of events as Prog hires a vicious but principled criminal to guide him and his friends on a seemingly doomed rescue mission. Amidst befouled space cruisers that crash before even leaving the atmosphere, teleporters that might kill you, enemies everywhere, and a murderous, clone-hungry villain in the monstrous Croakus, Prog labors to protect not just his life but his sanity.

Written as the first volume of a potential series, Lamberson leaves some loose ends but brings this story to a satisfying end, though sometimes at the cost of having his hero get lost in the shuffle of so many colorful characters. Narratively, Lamberson switches perspective with each chapter in the second half, deepening characterization while sometimes slowing the momentum, but then he cleverly flips this technique by advancing the plot in surprising ways before rewinding to tell the story from a different point of view. Despite some proudly ridiculous story beats and the exaggerated comic features of many alien characters, Lamberson takes care to pay close attention to their feelings and individual personalities, while spinning a gripping story. Lamberson refusing to bow down to action cliches elevates the novel from a wild lark into something with more depth.

Takeaway: Teen angst, heavy metal dreams, and madcap science fiction escapades.

Comparable Titles: Jim C. Hines’s Janitors of the Post-Apocalypse series, Dennis Taylor’s Bobiverse series.

Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A

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