Some of Cantafio’s poems are piercingly somber, as in “mom’s the word”: “mom is the word left on the string// that connected our tin cans,” but a few succeed in straddling the line between heavy and light, as in “sit down, Billy”: “the Bard lied to us. // [...] we do not leave on // iambic pentameter. // it’s more free verse, less sonnet.” Incorporating various poetic forms, including villanelle and haiku, and Sutton’s charmingly disheveled, Shel Silverstein-inspired illustrations of the sisters’ home, Cantafio strives to lay bare the spectrum of emotional response to loss so that this purging may heal those in the throes of mourning.
In the house of Grief and Gratitude, mourners can find “an orientation point” amid the vast amount of space and grace that is required to walk from the room of acute grief toward another, where “happy feels like an // old pair of jeans you put on,// surprised they still fit.” There is no end to grief and gratitude; as the poet mentions, “this feeling was — and is — on a loop,” and readers looking for guidance on their own looping journeys through loss will find a gentle sanctuary in Cantafio’s collection and a visit with those sisters.
Takeaway: A poetic odyssey through the house of sisters Grief and Gratitude.
Comparable Titles: Edwin Arlington Robinson’s The House on the Hill, Roberta Bondi’s Wild Things.
Production grades
Cover: B
Design and typography: A
Illustrations: A
Editing: A
Marketing copy: B+