Steve Leshin’s The Art Thief grabs the reader right from its evocative opening and takes him on a thrill-ride through roaring twenties New York City, where scams, deceptions, and beautiful, manipulative people keep Private Eye Joshua Oates on his toes. Leshin’s early Twentieth Century detective series hits a new gear in this one; the intrigue and twists are relentless, even as the assured pacing and crisp writing keep the reader deeply engaged and invested. Yes, some of Oates’s famous old friends are back, like gunslinger Bat Masterson and fabled newsman Damon Runyon, but it is the cast of sharply drawn new characters that enliven Josh’s interactions, from the elegant and wily Lady Pasley to the crisply officious Mr. Wallace to the hulking, brutal McDermott brothers. Layer by layer, the scams are exposed, yet no matter what is revealed, the novel’s villains sink to lower levels of turpitude. The shenanigans surrounding a shady art gallery are by turns brilliant and amusing.
What a delightful read with one climax delivering after another
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The Art Thief
Steve Leshin, author
Nothing is what it seems when the owner of a prestigious Manhattan art gallery hires private detective Joshua Oates in 1921 New York City. A mysterious figure is threatening the owner if he does not agree to display five crude paintings in his art gallery. When the manager is murdered, Oates becomes the prime suspect for a relentless police detective who is convinced he is the killer. While searching for clues, Oates meets a daring ex-art thief now working for Scotland Yard. She enlists his help to stop an international band of art thieves who sell stolent works of art to New York City's gentry. A change in leadership at the 35th police precinct also creates relationship problems for NYPD detective Angie Lang and Joshua Oates. Witrh help from Albert Einstain, and Bat Masterson, Oates must stop a dangerous and clever adversary.
Reviews
Michael P. Hartnett, Author of Windmill Bluff and Death Canal