When democracy returned to Uruguay 1985, many with power wished to just leave the past behind, and the new government actively worked against any efforts to face the truth. Writing in “the hope that if people knew and understood what had happened and why, the mistakes of the past would not be repeated,” Bridal interweaves the personal with the geopolitical into a densely detailed narrative that centers around four different searches for disappeared children. She has created scenes, such as closed-door meetings among admirals and ambassadors, or a confrontation between a woman and the man responsible for her granddaughter’s abduction, through extensive interviews and research, connecting the tragedies in Uruguay with U.S. foreign policy. Though at times the narrative is convoluted, the stories she brings are searingly compelling and moving.
“They say that forgetting is the dark side of memory,” she writes, and though it might be easier to forget, Bridal argues that the price of doing so is much too high. Her recount viscerally explores the long-term repercussions of tyranny, violence and broken identities, and the grave questions it uncovers will leave readers with greuling food for thought.
Takeaway: A fascinating, ultimately hopeful account of the quest for justice for “disappeared” Uruguayan children.
Great for fans of: Marguerite Guzman Bouvard’s Revolutionizing Motherhood: The Mothers of the Plaza de Mayo, Gabriel Gatti’s Surviving Forced Disappearance in Argentina and Uruguay.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: B
Marketing copy: B+