There’s an inspired tension between the limerick form, so rigid and predictable, and the searching, consciousness-expanding material. Voorhees acknowledges this with an imprecation, in introductory material, to “learn the difference between container and content.” Since the time of Edward Lear, limericks have encouraged readers to enter a spirit of anticipatory play, their minds reaching ahead to what the final rhyme might be. By contrast Voorhees tends to place less emphasis on the last word—the container—and more on the ideas—content—throughout, inviting readers to search for deeper meaning rather than a punchline.
Tasteful sketches accompany verses about what “bozos” we can be and the effort it takes to “attain the goal/ Becoming human, free and whole.” To fit the rhyme and meter Voorhees isn’t afraid to bend language and grammar, though it seems churlish to complain when the limericks encourage a state of contemplative reverie—and when it’s the content that counts. A concluding essay, “Seeking Truth in Dangerous Times,” is illuminating, especially when Voorhees, a mathematician, contemplates the mathematics of infinity, through the lens of Omar Khayyam.
Takeaway: Inspiring limericks that follow and encourage a spiritual awakening.
Great for fans of: The Penguin Book of Spiritual Verse, Omar Khayyam.
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