The first new writing by Hunter Thompson to be published since his death in 2005, The Hell's Angels Letters: Hunter S. Thompson, Margaret Harrell and the Making of an American Classic is an important revelation in the legacy of Thompson, with high-end full-color scans ofletters that survived precarious shipping and travel over decades, cloaked away from the public. “If Hell’s Angels hadn’t happened I never would have been able to write Fear and Loathing in Las Vegas or anything else . . . I felt like I got through a door just as it was closing,” Hunter told Paris Review. When he secured a hardcover contract with Jim Silberman (Random House), the known part of the story breaks off. To whip up the final edits, Margaret A. Harrell, a young copy editor/assistant editor to Jim, was—in a break from the norm—given full rein to work with him by expensive long-distance phone and letter. This galvanizing action led to a fascinating tale. She uses the letters to resuscitate the cloaked, suspenseful withheld drama. The book peaks in their romantic get-together at his ranch twenty-one years after they last met, a moving tie maintained over the years.
Finding the truth amidst the Gonzo madness of Hunter Thompson’s life story is not easy. He was an incorrigible self-mythologiser and the books about him tend to incorporate many of his own fantastic – and totally untrue – stories as though they were fact. Harrell attempted to dispel at least one of these myths in Keep This Quiet and digs deeper in The Hell’s Angels Letters, determined to set the record straight about how and where Thompson got the idea for a book on the Death of the American Dream and how his pet snake can to a violent end.
The Hell’s Angels Letters: Hunter S. Thompson, Margaret Harrell and the Making of an American Classic reveals an oft-overlooked side of Hunter S. Thompson – that of the serious writer and journalist dedicated to his craft and determined to reveal the truth to his audience, no matter the cost. The correspondence covers a pivotal moment in Thompson’s career, on the cusp of making his literary impact as part of the New Journalism movement while simultaneously moving towards realizing his Gonzo persona and style. The letters here reveal the painstaking task of bringing Hunter’s vision to fruition, and Margaret Harrell played an integral role in this journey.
This is a big book, literally and figuratively.
The short version: The Hell’s Angels Letters is a must-have text for any Hunter S. Thompson fan. Lavishly documented and illustrated with the actual correspondence that led to the publication of his breakthrough literary effort, Hell’s Angels, this coffee-table book literally shows how HST boot-strapped his way from a impoverished nobody journalist to growing legend. The author, Margaret Harrell, who was Thompson’s editor on his inaugural book, and her collaborator, Thompson’s friend and associate poet Ron Whitehead, have succeeded brilliantly to create a fabulous present for you, or anyone in your life who admires Thompson’s numerous achievements. It is not inexpensive, but no matter, it’s worth every penny. The Hell’s Angels Letters: Hunter S Thompson, Margaret Harrell and the Making of an American Classic gets five stars out of five! Bravo! - Kyle K. Mann, Editor-in-Chief
Among late 20th-century American writers, none can rival Norman Mailer and Hunter S. Thompson in sheer force of personality, both on the page and in person. Mailer, whether in his fiction, polemical essays or reportage, always aimed to be consequential, to be fiercely engaged with his times. Would that he were living now! For a hint of what we’ve lost, check out the latest book-length issue, Volume 13, of “The Mailer Review” at the home page of The Norman Mailer Society. Thompson’s motto might well have been “Nothing in moderation.” For “The ‘Hell’s Angels’ Letters,” Margaret Ann Harrell — in collaboration with Ron Whitehead — has assembled a dossier of all her correspondence with Thompson during the time she worked as the editor of the gonzo writer’s “strange and terrible saga of the outlaw motorcycle gangs.” Typed manuscript pages, scribbled notes, photographs, interviews and all sorts of period ephemera relating to “Hell’s Angels” allow the reader a valuable, behind-the-scenes glimpse into the making of this classic of New Journalism.
