The series again offers literate high adventure that demonstrates a clear love of the pulp past, newsreels and radio, and long-gone American vernacular—“You’re not gonna blow your wig again and make tracks again?” Sarah asks Doug, the quick-fingered cardsharp whose displacement from the Reagan era (via the virus that drives the series) offers opportunity for out-of-time confusion, pathos, and comedy. When Doug glimpses a bowler-hatted “commuter,” he thinks he’s “dressed like that band that came out [with] the Specials and the English Beat.”
For all the fun and adventure—the story involves circus life and catacombs, Brownshirts and secret basement lairs—the conflict centers on issues of control and freedom, with Sarah and co. at times wondering what they really know about the Executive. The Executive, they know, wants to change the future; the Brotherhood wants things to remain the same. Doug proclaims he’s “not much of a joiner,” but his discovery of a cause over the novel’s course proves rousing, as a robust set of heroes face questions about who to trust and the possibility that Father Michael is working with a greater threat than they know—and possibly the Nazis, too. Readers who love smart time-travel adventure with found family teambuilding will be eager for the next volume.
Takeaway: Smart, surprising time-travel adventure steeped in 1930s New York.
Comparable Titles: Connie Willis, Roy Huff.
Production grades
Cover: B-
Design and typography: A-
Illustrations: N/A
Editing: A-
Marketing copy: A-